Rob Rogers, a Pulitzer Prize finalist who had been with the Post-Gazette for 25 years, announced his own ouster on Twitter. Earlier this month, he’d revealed that he was working through “unresolved” issues with the paper’s leaders over certain cartoons that they’d declined to publish.
Sad to report this update: Today, after 25 years as the editorial cartoonist for the Pittsburgh Post-Gazette, I was fired.
— Rob Rogers (@Rob_Rogers) June 14, 2018
“I knew in March” ― when he said the paper first started rejecting his cartoon drafts and ideas without explanation ― “that we were headed for some kind of a compromise or a showdown,” Rogers told HuffPost. “I didn’t know what it was going to be, but it turns out it was a showdown.”
The Thursday meeting in which he was fired, Rogers said, was the last of several he’d had with the human resources department since the paper’s editorial director, Keith Burris, began cracking down on his cartoons.
Since March, the Post-Gazette had axed 19 of his cartoon drafts and proposals without explanation, Rogers said. Over the course of a typical year, he noted, only a couple of his submissions would be rejected.
Rogers’ concerns mounted when he said the paper rejected six of his ideas in a row starting on Memorial Day, including one that depicted Trump laying an R.I.P. wreath before a tomb reading “Truth, Honor, Rule of Law” and another showing the president separating undocumented immigrant children from their parents.
Rob Rogers Rob Rogers
Rogers estimated that about 90 percent of the rejected cartoons were Trump-related. Some others that were spiked involved issues linked to the president, such as drawings commenting on the cancellation of “Roseanne” or NFL protests during the national anthem.
Rob Rogers Rob Rogers
The cartoonist suggested that his firing ― and what it represents ― is more of a loss for the Post-Gazette’s readers than it is for him.
“I’ve had a long and very successful career … and I feel very lucky to have had that, and I’ll be fine,” Rogers said. “But I think the people and the readers of Pittsburgh, and even beyond Pittsburgh ― because my voice has been silenced and opinions on the page have been silenced ― I think it does a disservice to those readers, and that actually makes me even sadder than losing my job.”
A broader push for less negative Trump coverage in the paper has been linked to John Block, its conservative publisher, and to Burris, the editorial director.
Around the time that Trump announced his candidacy for president, Rogers said, Block began leaning on the paper’s editorial section to publish more Trump-friendly pieces.
In January of this year, according to the paper’s Twitter account, Block asked that the term “shithole countries,” which the president had just used to much criticism, be removed from the top of an Associated Press story that ran on the front page. The phrase “vulgar language” was substituted.
— Pittsburgh Post-Gazette (@PittsburghPG) January 12, 2018
Block also raised eyebrows during the 2016 campaign when he shared a photo of himself posing with Trump on the candidate’s plane.
Burris has come under fire for writing a January editorial defending Trump’s aforementioned “shithole countries” comment ― which was aimed at Haiti, El Salvador and African nations ― as not racist.
“Calling someone a racist is the new McCarthyism,” Burris wrote. “Calling the president a racist helps no one — it is simply another way (the Russia and instability cards having been played unsuccessfully) to attempt to delegitimize a legitimately elected president.”
Burris and other editorial leaders at the Post-Gazette did not immediately return HuffPost’s request for comment on Rogers’ ouster.
But Pittsburgh Mayor Bill Peduto’s office released a statement condemning the firing of the cartoonist: “The move today by the leadership of the Pittsburgh Post-Gazette to fire Rob Rogers after he drew a series of cartoons critical of President Trump is disappointing, and sends the wrong message about press freedoms in a time when they are under siege.”
Rogers said his work will continue to be published in other publications through Andrews McMeel Syndication.